1791 · Haitianyear only
The kabinda dance, and what was never told to the blans
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Inside the revolt there was a second layer that did not travel. Enslaved people used the kabinda dance and chants invoking Ginen, the ancestral Africa, to carry knowledge that was deliberately withheld from whites and from milat observers alike. The sources that survive were written by people on the outside of that wall, which means every colonial account of Vodou practice in this period is a transcript of what the practitioners chose to let a stranger see. I find this the single most underrated methodological fact in Haitian history. We have thousands of pages of planter observation and almost none of it is testimony. It is surveillance, and surveillance of a community that knew it was being watched and performed accordingly. Any timeline built only from written colonial sources is reading the cover story and calling it the record.