1860 · Haitianyear only
A Breton archbishop arrives with a set of painted hearts
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Haiti signed a Concordat with the papal see in 1860, ending more than half a century in which the republic had no formal relations with Rome. The second archbishop of Port au Prince, appointed shortly afterward, was a Breton priest named Alexis Jean Marie Guilloux, trained in Brittany and a great admirer of Michel LeNobletz and his painted teaching images. Guilloux founded schools and pressed the missions, and the priests and religious he brought were largely Breton, so Breton devotional pictures spread through Haitian classrooms in the late nineteenth century and after. What came with them was a whole religious world: model ships hung from chapel ceilings, the mermaid Arhes who sank the city of Is beneath the sea, and the festivals called Pardons in which banners are saluted to the four points of the compass and then carried out into the fields. Each has a counterpart in Vodou practice, in the boat of Agwe, in Lasirenn, and in the handling of the drapo.