A tribute to Dessalines runs in a Port-au-Prince review

On 20 October 1906 the review Haiti Litteraire et Sociale carried a tribute to Jean-Jacques Dessalines, written by J.B. Dorsainvil, who argued that honouring the man who declared independence was the way to keep patriotism alive in his own day. The date is not an accident. Dessalines was killed at Pont-Rouge on 17 October 1806, and the piece appeared almost exactly a century later. His standing among educated Haitians had been low for most of that century. The mulatto elite that wrote the histories remembered him as a butcher, while the peasantry remembered him as the one leader who had meant land for them and had been murdered for it. Recovering Dessalines was therefore a political act with a direction. It meant taking the founding away from Toussaint Louverture, whom foreign admirers preferred because he negotiated, and handing it to the man who tore the white out of the French flag. By the 1930s that recovery had gone far enough to make Dessalines the national figure he is now.

The earthquake that hit Kingston in January 1907 was the worst seismic disaster in the northern Caribbean since Cap-Haitien in 1842. Two thirds of the city went down. Brick buildings put up to replace wooden ones after the fire of 1882 collapsed on the people inside them. Survivors walking the streets afterwards greeted each other by asking whether the other was alive. Fire followed and took what the shaking had left. Hundreds of the dead were buried in the May Pen cemetery under numbers pinned to rough crosses. The Myrtle Bank Hotel, full for the winter tourist season, was partly destroyed. The injured were carried to overcrowded hospitals on drays, there was looting, and the racecourse at the upper end of the city filled with tents where rich and poor camped for months. Many Jamaicans left the island. Haitian exiles in Kingston lost their businesses, among them Callisthenes Fouchard, whose Hotel Royale was wrecked.

Shortly before four on the afternoon of Friday 4 December 1908, Callisthenes Fouchard stood on the deck of the SS Oteri in Kingston harbour and looked at the heaps of crushed brick still lying along Harbour Street two years after the earthquake. He had spent five years of exile in the city running the Hotel Royale, a guesthouse for foreign visitors and for other Haitian exiles. Eleven months of revolution had just brought down the military government of Nord Alexis, and Fouchard was going home to claim the presidency. He told the well wishers who saw him off that the revolution had been started in his favour and that his government would be a liberal one. Seventy five Firminists sailed from Jamaica that same month to press the claim of Antenor Firmin. Two days after the Oteri left, the fallen Nord Alexis landed at the same Kingston dock, where he spent his last days.

African objections to colonial rule in the early twentieth century travelled through channels that were not political in form. Carving is one. By the 1930s African artists were producing work that mocked Europeans and the administration they ran, and taking supposedly European styles into African hands was itself a claim about who owned the form. Newspapers are another. The earliest African papers appeared in South Africa in the 1900s, an African press followed in West Africa, and by the years between the wars those papers were the main forum for anti colonial argument. Literacy limited who could read them directly, and villages worked around that by gathering while one person who could read went through the paper aloud. The educated men who wrote for these papers understood how the colonial economy was arranged and resented their exclusion from it. Before the early 1940s few of them asked for independence. They asked for a place inside the system. Colonial schooling had produced its own critics, and the war produced the rest.