1915 to 1934 · Haitianspan
What the marines left behind was a pile of battered horns and jazz
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The United States occupied Haiti from 1915 to 1934. By 1937 the musical residue of nineteen years of marines in the country came to a collection of battered brass, reed and string instruments, a few phonographs and American jazz. All of it stayed in the towns and it had altered what peasants played and sang almost not at all. The influence that was reaching them came from elsewhere. Radio stations in Havana and other Latin American cities were audible in Haiti, and workers returning from years of cutting cane in Cuba and the Dominican Republic brought songs home. In the village of Plaisance, about a hundred and fifty miles from Port-au-Prince and thirty from Cap-Haitien, Cuban expressions turned up inside songs that were otherwise entirely Haitian, and the instrumental parts behind them had a Spanish sound. At country dances the instruments were the drums, rattles, grage and triangle of the vodou orchestra, with bamboo flutes and marimbas.