Lawyers in four colonies form one West African congress

A commercial and professional class in British West Africa founded the National Congress of British West Africa. It ran branches in the Gold Coast, Nigeria, Sierra Leone and the Gambia. Through the 1920s it extracted the concession of elected African members in the territorial legislatures, most effectively in the coastal towns where this class had matured. The Congress produced offshoots, among them the West African Students' Union, which gave young West Africans in London a place to argue and introduced them to pan-African ideas. Its leaders thought regionally on a practical calculation, since no single colony could face Britain by itself. Many of them held that organising along colonial boundaries made no sense, those boundaries having been drawn by Europeans for European convenience. Nnamdi Azikiwe of Nigeria carried the argument. British officials meanwhile regarded their tropical African possessions as mere geographical units and saw no reason to worry about nationalism in them. Within one generation those units were sovereign states, governed by men who had been students in London.

American marines had held Haiti since July 1915, and the armed answer to them came from the cacos, the peasant fighters of the northern and central hills. Benoit Batraville led them after Charlemagne Peralte was killed in 1919. In May 1920 he was shot dead in a fight with marine and gendarmerie patrols, and organised guerrilla resistance to the occupation ended with him. Nicholls draws attention to what was found among his personal papers. Batraville understood the peasant struggle in religious terms and sought spiritual protection for the men who followed him, which is to say the campaign was fought with the resources the countryside actually had. The occupation would last another fourteen years. It was ended by lawyers, newspapers, fundraising committees and a general strike, and no peasant army took the field against the marines again. Those papers record the last moment when the war was still being waged the old way, by men in the hills asking the spirits for cover.

The composer Clarence Cameron White and the librettist John Frederick Matheus travelled to Haiti for six weeks in search of musical materials for an opera. White completed the score in 1932 after a fellowship took him to Paris to study, and although it was performed in concert form in Chicago that year it was not staged until 1949. Jackson gathers the same year's other Haitian works to show how concentrated the moment was. Vandercook's life of Christophe appeared with drawings of the revolt that later fed Jacob Lawrence's paintings, and it moved Countee Cullen so deeply that he wrote the poem Black Majesty, published that May in the magazine of the National Urban League. The Haitian past had become working material for the Harlem Renaissance. Jackson treats the trip as the start of a sustained American musical engagement with Haiti.

Zora Neale Hurston took a degree in anthropology from Barnard in 1928 and went to New Orleans that August for six months of fieldwork. She studied with nine Vodou doctors and went through six initiations. The longest, under a priest called Samuel Thompson in one of her books and Luke Turner in the other, required nine nights of preparation and then three days lying face down and naked on a couch spread with a moccasin hide, silent, a pitcher of water set at her head so that her spirit would not go wandering after any. She reported five psychic experiences inside those sixty nine hours. At eleven on the morning of 19 March, the feast of Saint Joseph, she was raised, led through running water, painted with a lightning mark from her right shoulder to her left hip, given eyes on her cheeks and a sun on her forehead, and crowned. At midnight a black sheep was killed and buried under her written petition.