1922 · Haitianyear only
Borno reinstates Jeanty, who is later alone barred from 1804
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President Louis Borno restored Jeanty to the directorship of the Musique du Palais National in 1922, and between then and the end of the occupation in 1934 he resumed his duties as leader, conductor and composer. Largey draws out the detail that carries his argument about performance. During the later part of the occupation Jeanty was forbidden to play his 1804 march at the popular Sunday concerts in the Champ de Mars, while other bandleaders could perform the same piece anywhere with impunity. The mechanism was therefore not the score but the combination of personality, work, place and timing. Michel Laguerre's distinction between the kakos of action in the countryside and the kakos of discourse in the capital gives Largey his category for Jeanty, whose satirical show mocking American speech belonged to the same campaign of rhetorical resistance.