Two young writers accuse their elders of copying Europe

In 1925 Antonio Vieux and Philippe Thoby-Marcelin, both young men of the mulatto elite, founded the review La Nouvelle Ronde and offered it as an organ for the nation's youth. Their charge against the writers before them was slavishness. Haitian literature, they said, had followed European models line by line, producing Parnassian verse and French novels written in Port-au-Prince, and what the country needed was a literature that was specifically national. The demand proved easier to state than to satisfy, and the review lasted only briefly. Its importance lies in the sequence it opened. Two years later the same generation, joined by Jacques Roumain, Emile Roumer, Normil Sylvain and Jean Price-Mars, launched La Revue Indigene, and the indigeniste movement that came out of it turned Haitian writers toward Kreyol, toward Vodou and toward the peasantry as subject matter. The occupation supplied the pressure. Young men educated in French and living under American guns had to decide which part of themselves was actually Haitian.

As chancellor of the exchequer in 1925 Winston Churchill returned Britain to the gold standard at the prewar rate of four dollars and eighty six cents to the pound. The rate was too high. It made British exports dear and imports cheap and threatened to drain the Bank of England of gold. Benjamin Strong, governor of the Federal Reserve Bank of New York, reasoned that cheaper money in America would stop the flow of gold from London to New York and steady an international financial system still recovering from the war, so the Federal Reserve flooded the American banks with liquidity in 1927. His reasoning was sound and the side effect was enormous. The same cheap money financed the speculative borrowing that carried the New York stock market into the sky. Hoover called Strong a mental annex to Europe, which is also a statement about where he thought the blame belonged.

African mine workers began striking in numbers once they stopped being migrants and started being residents. The 1927 walkout at the Shamva mine in Southern Rhodesia was run by Nyasa men who had lived on the property for years and had worked out how it functioned. On the Northern Rhodesian copper belt the pits sat close together, so news and plans moved between them, and the big stoppages came in 1935 and 1940. The second of those landed while the Royal Air Force was fighting over southern England. The miners knew nothing about that battle and everything about the fact that Britain could not do without copper, and the terms they extracted proved the point. No trade unions existed to call any of it. The organising ran instead through the Watchtower church and through Mbeni dance societies, formed for amusement, which split members into rival teams with uniforms and mock official titles borrowed from the men in the offices. Women danced and organised alongside men. Mbeni members served as go-betweens during the copper belt strikes.

These identifications were collected in the north of Haiti and hold for that region, since the pairings shift from one part of the country to another. Legba, the great master, the father, the familiar god of the Dahomeans, became Saint Anthony, probably Anthony the hermit, since the saint is shown with a black cock in place of a pig. Ougou Balindjo became Saint James the Greater. Agomme Tonnerre became John the Baptist. Daguy Bologuay became Saint Joseph, prayed to in words asking him to lead the petitioner as he led Mary into Egypt. The King of Aoueseau became Saint Louis, king of France. Grande Mambo Batala became Saint Anne. Maitresse Erzulie became the Virgin, and specifically the Virgin of the Nativity. La Sirene became the Assumption. Pierre d'Ambala became Saint Peter. Lesser deities found their own counterparts among the blessed, and a whole literature of written prayers followed the same road.