1927 · Haitianyear only
Two journals appear and send Haitian writing to the countryside
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Two reviews came out in 1927, La Trouee and La Revue Indigene, and between them they gave Haitian literature a new subject. The doctrine they carried was called indigenism. Its claim was that the real material of Haitian art lay with the peasant working land in the hills, with his speech, his religion, his labour and his songs, and that a national literature which ignored him was a provincial imitation of France pretending to be something else. Haitian writing up to that point had been produced by a small city class educated on French models and judged by French standards. Turning to the countryside meant turning to Kreyol, to Vodou and to a way of life the same class had spent a century apologising for. The timing was not accidental. American marines had been in the country for twelve years and had made it plain what they thought of Haitians of any class. Writers who had once expected to be received in Paris as Frenchmen went looking closer to home for something to be.