Haiti exhibits as a sovereign state at the Paris Colonial Exposition

Vincent's government took part in the Paris colonial exposition while American troops were still in the country, and St. Hubert reads the decision as an argument rather than a routine appearance. Surrounded by the pavilions of colonial powers exhibiting their possessions, Haiti used its space to assert that it was a sovereign nation with its own economic interests. Vincent had built his political standing on opposition to the occupation, travelling abroad for support and working with the Union Patriotique, which demanded an end to martial law, the abrogation of the 1915 convention that legalised the occupation, the calling of a constituent assembly and the withdrawal of the American forces. That nationalism carried him to the presidency when the restored legislature elected him in 1930, and in 1934 he staged a public funeral for Charlemagne Peralte to present himself as the author of a second independence.

Beginning on 19 November 1929 Hoover summoned the heads of the banks, railroads, manufacturing industries and utilities to the White House, and for nearly two weeks they came out of daily meetings repeating that the economy was sound. On 5 December he reported the results to four hundred business leaders. The Federal Reserve had eased credit through open market purchases and a lower discount rate and was refusing to discount for banks making stock market call loans. The industrialists had agreed to hold wage rates where they were, on his argument that the first shock should fall on profits. Railway and utility executives had agreed to expand building and maintenance, and he had wired governors and mayors to speed up road and public building work. No president had previously believed that the federal government carried a responsibility in a slump. Hoover believed it and said so.

Lieutenant Faustin Wirkus, a Marine serving in the occupation, published The White King of La Gonave in 1931. It sold ten million copies in the United States, then in Europe, and as far as Japan. In it he gave an account of the damage he had inflicted in order to save Haitians from cannibalism and black magic, and he set down the operating assumption that the cacos, the armed opponents of the occupation, were practitioners of the religion. Wirkus quoted his own orders, which required a report leading to criminal action against every priest and every diviner, described in the wording of the instruction as voodoo artists. Other books followed with titles like Cannibal Cousins, and between them they established Haiti in the English-speaking imagination as the country of the living dead. A military occupation had produced a literary genre, and the genre outlasted the occupation by decades.

American troops had been in Haiti since 1915, and Jackson traces the black American response through the whole period, from Du Bois writing that the country was more civilised than Texas, through the protest of 1920 against the occupation, to the Pan-African Congress that Du Bois presided over in Paris in 1919. The withdrawal did not end the literary consequences. Langston Hughes had described the country for New Masses in 1931 as a small tropical place of mountains and sea, marines, mulatto politicians and a world of black people without shoes, while calling the Citadel a splendid monument to the genius of a black king, and his poem of 1932 argued that conditions would be the same for black people everywhere until black workers united. The occupation also produced a wave of sensationalist American fiction and travel writing.