1942 · Haitianyear only
A woman's play, a woman's history and Vodou on one stage
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Count what was stacked into a single production. A woman wrote it. Its subject was a woman who had fought in the revolution and been executed for it. The songs and dances in it came out of Vodou, and they came out of research and practice carried on by women. Any one of those would have been unusual on a Port-au-Prince stage. Together they amounted to a claim about who owned Haitian culture and who was entitled to perform it. The year sharpened the claim. Sténio Vincent had governed from 1930 to 1941 and handed power to Élie Lescot, who took office in 1941 and would hold it until 1945 by rewriting the constitution around himself. Both men courted Washington, and both treated Vodou as a problem of national image. In that season a hall in the capital paid to watch Haitian women sing their own religion inside their own history. It was cultural sovereignty performed without permission.
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