1952 to 1992 · Indigenousspan
Pottery styles are made to stand in for the movement of people
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Irving Rouse spent four decades building the framework that Caribbean archaeology still argues with. On his model the Boca Chica pottery style began in the southern Dominican Republic and reached Puerto Rico with Chican potters who set up colonies on the southern coast, and local groups there developed the Capa and Esperanza styles under that influence. Influence in this account runs one way, from a source to a periphery, and the resulting style zones become the boundaries of indigenous provinces on the map. Later work reads the same pottery differently. The styles look like the product of traffic in both directions across the Mona Passage, where people, goods and marriages moved between Hispaniola and Puerto Rico for centuries. The dispute is about method as much as about pots. A decorated vessel records what a potter had seen and whose work she admired, and turning that into a claim about which people lived where, and who counted as whom, is a longer leap than the evidence supports.
A code like HT-WIB-000044 is a bates number. It marks one page of our stamped scan of the book, so the same page can be found again by anyone working from the same copy. Open one to see every entry drawn from that page.