One pottery style appears across four island groups at once

Ostiones pottery does not spread outward from one place at walking pace. It shows up in Puerto Rico, Hispaniola, Jamaica and the Turks and Caicos at very nearly the same time. That distribution undercuts the standard account, in which the style begins in Puerto Rico and works its way west across the northern Greater Antilles over generations. The speed points to heavy traffic between islands, with people, goods and ideas moving in quantity and the current of influence running from Hispaniola into Puerto Rico. Before this, the northern islands had shared a broad common look in their pottery, a regional veneer laid over local differences. The Ostiones horizon replaced it with something adopted quickly and widely. Fast, simultaneous change across four island groups means the sea between them was busy. It also means the communities involved were paying close attention to each other, which is the condition for the political consolidation that came later in the Greater Antilles.

Fighting resumed in 651 and an Arab force of five thousand under Abd Allah b. Sa'd marched on Old Dongola, the capital of Makuria, battering the cathedral with catapults. The peace that followed was set down as a covenant binding Nubians from the frontier of Aswan to the border of Alwa. Neither side would raid the other. Each could pass through the other's territory without settling in it. The Nubians would send back runaway slaves and Muslim fugitives, and would sweep, light and protect the mosque built in the courtyard of their capital. Every year they were to hand over 360 people to the governor at Aswan, male and female, the finest of the country, none of them elderly and none below puberty. Food, cloth and wine came back the other way. A scribe dated the text to Ramadan of the year thirty one. The arrangement held for roughly five hundred years.

At the Canas site in Puerto Rico the Saladoid and Ostiones layers sit one above the other with a clean line between them, and the early conclusion drawn from that line was that two separate cultures had occupied the site in turn. The difficulty with that reading is that nobody could find anywhere for the second culture to have come from. No source region, no migration route. So the material was examined again, and the current view is that Ostionoid pottery grew out of the Saladoid tradition in the islands themselves, with recent argument pointing to the eastern Dominican Republic and the exchanges taking place there. Other evidence supports continuity. Stone toolmaking runs straight through the transition with no equivalent break. What changed was the pottery, and pottery is the loudest thing in an excavation. The change marks the beginning of a period in which the Greater Antilles broke into regions, each developing a look of its own.

At Cerrillo, in the west of Puerto Rico, there is a place where people went to work flint. It reads as a workshop rather than a village, since the ground holds the waste of tool manufacture, the flakes and rejected pieces that come off shaping a nodule into something usable. Cerrillo was busiest during the changeover into the Ceramic age, when pottery was being adopted and settlement was reorganising, and the flint had been quarried there before that. The evidence indicates people were taking nodules out of the same deposit back in the Archaic age. That continuity is the interesting part. A source of good stone gets found once and then used for as long as anyone needs stone, across changes in pottery, diet and social arrangement that archaeologists treat as boundaries between cultures. The people at the flint outcrop in the seventh century were going to a place their predecessors had gone to for centuries, for the same reason.