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Istwa Nou

We Haitians have always known who we are and where we are going. Every generation sets out for it, and in every generation something interrupts our journey, our walk. Sometimes it comes from outside. Sometimes it comes from among us. Those interruptions are in this chronology because they happened; they're not who we are. We have never been defined by those off-road moments; and we have never internalized them.

We keep marching.

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The 1900s

1 entry · 1 year recorded Anba Chèf

1944

1 entry
1944 · Haitianyear only

Aime Cesaire spends a month lecturing in Haiti and the room changes

Jeanne Sylvain wrote ahead to her sisters asking whether the visiting poet was Martinican or Guadeloupean.

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In 1944 the Martinican poet Aime Cesaire and his wife Suzanne Cesaire came to Haiti for a month of lectures organised by the Congres de la Connaissance. Cesaire later said Haiti was where negritude first stood up, a debt he traced to the Haitian writers Antenor Firmin and Jean Price-Mars and to the revolution that ended in 1804. Before he arrived, Jeanne Sylvain, coeditor of La Voix des Femmes and a member of the Ligue Feminine d'Action Sociale, wrote to her siblings that a Martinican poet, or possibly a Guadeloupean, was expected in September. By October she had been to the lectures and told them he spoke about literature marvellously and that she had learned there were more Haitian philosophers than she had known about. Sanders Johnson keeps that flicker of uncertainty in the record on purpose. The Sylvain sisters had worked closely with Price-Mars, so this was not ignorance. It is what a political idea looks like before it hardens into a name. The lectures fed the surrealist current in Port-au-Prince and the awakening that produced 1946.

Aime CesaireSuzanne CesaireJeanne SylvainJean Price-MarsAntenor Firmin HaitiPort-au-PrinceMartinique
Where this comes from Johnson, G. S. (2023). White gloves, Black nation. University of North Carolina Press.HT-WGBN-000042HT-WGBN-000043

A code like HT-WIB-000044 is a bates number. It marks one page of our stamped scan of the book, so the same page can be found again by anyone working from the same copy. Open one to see every entry drawn from that page.

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