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Haitian Connections: Recognition After Revolution in the Atlantic World.

profile pic of Dr. bertin louis

Anti-Haitianism in the Bahamas

Haiti Since 1804: Critical Perspectives on Class, Power, and Gender

Empowered Voices: Haitian Women in Academia

Split image: On the left, the book cover for 'Red & Black in Haiti' by Matthew J. Smith, featuring a red-toned image of a crowd with a Haitian flag. On the right, a black and white portrait of Matthew J. Smith, a light-skinned man with glasses, wearing a suit and tie.

Red & Black in Haiti: Radicalism, Conflict, and Political Change 1934...

A traditional oil painting depicts a warm, intimate moment between a Black married couple seated on a sofa in a softly lit living room. The woman, wearing a cream dress with a natural afro, sits relaxed with her legs draped across her husband's lap. The man, tall and muscular in a brown suit, leans slightly toward her, mid-conversation, with a gentle expression. Behind them, shelves of old books and soft white flowers blend into the painterly, dreamlike background, evoking a timeless and reflective atmosphere.

Arguing for Clarity: Lessons from 15 Years of Marriage

Alt text: Split image featuring the cover of the book *Reclaiming Haiti’s Futures: Returned Intellectuals, Placemaking, and Radical Imagination* by Darlène Elizabeth Dubuisson on the left, with a stylized tree and birds set against a gradient background of teal and peach tones. On the right, a black-and-white portrait of Dubuisson stands on a beach path, looking directly at the camera with a calm, serious expression, wearing a wide-brimmed hat and locs cascading over a scarf and jacket.

Reclaiming Haiti’s Futures: Returned Intellectuals, Placemaking, and Radical Imagination

A regal Black woman with rich, dark skin stands poised in a vintage-inspired portrait. She wears an elaborate, gold-embroidered off-the-shoulder gown with voluminous sleeves and intricate lace detailing. Her hair is styled in sculptural, natural-textured twists adorned with ornate golden accessories, and she gazes directly at the viewer with strength and elegance. The background features a painterly floral design in earthy tones of gold, bronze, and muted blue, evoking a timeless, classical aesthetic.

Black Women Are Not Ministries of Rehabilitation

Miguel Díaz

Who Owns the Noise? We Built the Court, But Not the...

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