Moreau de Saint-Mery divides human skin into one hundred and twenty eight parts

The colonial jurist Moreau de Saint-Mery set out a scale of eleven colour classes for Saint-Domingue. Pure white and pure black each stood at one hundred and twenty eight parts. The sacatra carried sixteen white parts, the griffe thirty two, the marabou forty eight, the mulatto sixty four, the quarteron ninety six, the metif one hundred and twelve, the mameluc one hundred and twenty, the quarteronne one hundred and twenty four, the sang mele one hundred and twenty six. Anyone with fewer than eight white parts was a negro. The scale ran one way only. Any recorded black ancestry kept a person out of the white category permanently. Moreau also counted how many parental combinations could produce each rank, twenty for the quarteron, twelve for the mulatto, none at all for the two extremes. He observed that children came out in places his arithmetic had not predicted, and he observed in passing that the eye of prejudice did the sorting.

News of the French takeover of the Dutch Republic and the creation of the Batavian Republic had already been part of Tula's argument the previous year. In 1796 it worked its way through the colonial administration. The ancien régime governor Johannes de Veer withdrew and was replaced by a politically colourless local bureaucrat, Jan Jacob Beaujon, who was in turn replaced by an apparently more outspoken pro-French Patriot, Johann Rudolf Lauffer, all within the same year. Oostindie stresses that this reshuffle reflected dynamics inside the white elite, between Orangists and Patriots but also within Patriot circles, over questions that came down to trade and economic interest. Sections of the free coloured population had their own stake in the 1796 power games, mainly better representation in local politics, and there is evidence of open and sometimes violent free coloured protest, but no sign of organised cross-colour action aiming at radical change.

An anonymous German engraving of about 1797 shows the rising of 1791 on the northern plain with palm trees and conical roofed houses for tropical atmosphere, while the white figures look lifted from a north European genre painting, the women in familiar headgear and the men in tight suits. An image of the cruelty of the blacks in a Swiss almanac of 1803 does the same work through architecture, staging a murder in a room with a tiled floor, an arched doorway and portraits and a map on the walls. White argues that these choices are deliberate rather than ignorant, since the makers invented fanciful costume for the enslaved and could have used French styles for the colonists. Dressing the victims as locals delivered an anti revolutionary message to German and Swiss viewers, and shows that printmakers could not count on shared skin colour alone to produce sympathy across old European rivalries.

In the middle of June 1798 four vessels from Saint Domingue reached Philadelphia. Governor Thomas Mifflin forbade the landing of any of the black passengers aboard them and asked President John Adams for authority to stop such landings in neighbouring states and to keep their owners out of Pennsylvania altogether. The fear behind the order had been building for years. Enslaved people had set a series of fires in Albany in November 1793, the practice was said to have spread, night patrols in Philadelphia were increased, and a fire broke out in the city on 4 January 1797. White Philadelphians had come to speak of black insurrection as an infection that ships could carry. The standoff ended when letters from the white colonists on board assured the city that only fifty five enslaved people were with them and that none had ever carried arms.