c. 1797 · Haitianapproximate
A German print dresses the planters of Saint-Domingue as Germans
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An anonymous German engraving of about 1797 shows the rising of 1791 on the northern plain with palm trees and conical roofed houses for tropical atmosphere, while the white figures look lifted from a north European genre painting, the women in familiar headgear and the men in tight suits. An image of the cruelty of the blacks in a Swiss almanac of 1803 does the same work through architecture, staging a murder in a room with a tiled floor, an arched doorway and portraits and a map on the walls. White argues that these choices are deliberate rather than ignorant, since the makers invented fanciful costume for the enslaved and could have used French styles for the colonists. Dressing the victims as locals delivered an anti revolutionary message to German and Swiss viewers, and shows that printmakers could not count on shared skin colour alone to produce sympathy across old European rivalries.