A US president lands at Cap-Haitien six weeks before the marines go

On 5 July 1934 Franklin Roosevelt came ashore at Cap-Haitien. No sitting American president had ever visited Haiti before, and the marines who had occupied the country since 1915 were still in it. The trip followed Sténio Vincent's own journey to Washington in March of that year. Roosevelt's Good Neighbor Policy required visible courtesy between the United States and the republics it had spent three decades invading, and a presidential handshake on Haitian soil was the cheapest way to supply it. The balance of power between the two governments had not shifted at all. Haiti had no navy, no control of its own customs receipts and no say over when the occupation would end. What the visit announced was that Washington had decided the era of gunboats was finished, or at least that it had become expensive to advertise. The day went well. Six weeks later the last marines boarded ship and left.

Speaking in Nelson on the subject of the Negro, James condemned the British Empire for the racism it fostered not only in the colonies but in the metropolis itself, stressed the achievements of African civilisation, and was reported as saying that there would one day be a tremendous revolt in Africa. Hogsbjerg places the lecture at the point where two commitments converge. James had returned to Britain earlier that year having concluded that European civilisation was doomed, had made an independent study of Marxism and decided to become an organised revolutionary, and his new militant Pan-Africanism developed alongside that. The editor treats the combination as the political engine of the play, which he says is panoramic in its treatment of the revolution and spreads eleven scenes across three acts. Hogsbjerg adds that the same year saw the first play written and directed by a Jamaican woman staged in London, changing what a British theatre audience might expect.

The American withdrawal in 1934 opened room for a wave of new associations, and on 3 March that year the Ligue feminine d'action sociale was founded in Port-au-Prince, the first feminist organisation in Haiti. Within days a nervous government forbade it to operate, judging its programme subversive and overambitious. Ten women sat on the steering committee. Madeleine Sylvain and Alice Garoute were the best known. Beside them were Fernande Bellegarde and Olga Gordon, Therese Hudicourt and Marie Corvington, Alice Teligny-Mathon and Esther Dartigue, Georgette Justin and Maud Turian. They redrafted the programme until it reduced to a single mild point, the physical, economic and social improvement of the Haitian woman, and got their permission. Branches followed at Port-de-Paix in February 1935, Saint-Marc in September 1935, Les Cayes in October 1936, Jacmel in 1937, then Petionville, Leogane, Gonaives and Cap-Haitien. The League ran evening classes for women workers in poor districts, a cooperative savings fund, libraries and a workers' centre, and petitioned for equal pay for equal work.

In March 1932 the Paris journal La Revue du Monde Noir carried an article by Georges Hardy on what Black artists across the world had contributed. The journal was short lived and it mattered out of all proportion to its run. It appeared in French and English, which let Haitian writers, African American writers and Africans living in Paris read one another without a translator standing in between. That readership is what an article of this kind served. It presented a body of Black artistic achievement as a single subject rather than as a set of local curiosities, and it fed a sense of racial pride among an international group of intellectuals who had until then been working inside separate national conversations. For Haitians, whose country was under American military occupation, the journal supplied evidence that their own indigenist argument belonged to something larger. Ideas that later hardened into political movements were circulating first as literary criticism.