A New York Haitian weekly carries seven classified ads in its first year

Haiti Observateur, the oldest newspaper of the Haitian community in New York, was founded in 1971. In that first year it carried seven classified advertisements. By 1978 it averaged more than fifty. Pierre-Louis reads the count as a measure of an exile population turning into a settled one, with businesses to advertise and customers to reach. The same years produced the Bottin, a Haitian business directory published from the 1970s into the 1990s, and L'Heure Haitienne, a radio programme broadcast every Sunday from Columbia University with offices in Flatbush, which became the flagship entertainment of the exiles. The Haitian Fathers, Holy Ghost priests expelled by Francois Duvalier in the early 1960s, taught Kreyol classes and published a magazine written entirely in that language. Cultural associations wrote songs about a Haiti that would be beautiful once it was free.

Francois Duvalier died on the evening of 21 April 1971, after dark, having tried to speak and failed to make himself understood. What happened next was arranged in the ounfo of the Cul-de-Sac plain. The rite is called desounen, and it separates the dead from the lwa that has ridden them in life. Edner Day is the oungan named. He traced a large cross in maize flour on the floor, the length of a body, then climbed onto the bed past the doctors and nurses, straddled the corpse under the sheet, and called on the met tet to withdraw and leave the dead in peace. Only when it has gone can the spiritual inheritance pass on, and it passed to Jean-Claude, standing silent at the foot of the bed with a candle. The body was seen to shift very slightly. The men in the room took that for the departure. Papa Doc had gone to Ginen.

In 1978 the Haitian writer and painter Franketyen published Pelin-tet, a play whose whole action happens in a basement flat in New York City furnished with a bed, a table and one bare bulb. Two men share it. Piram is an unschooled factory worker who speaks only Kreyol and holds legal papers. Polido is a French speaking pseudo-intellectual who left Haiti after the tontons macoutes tortured him and who lives in fear of deportation. They argue through a single afternoon. The most quoted line in Haitian theatre comes out of it, when Piram says he wants to see flies, meaning the rubbish and the noise and the ordinary liberty of the street he grew up in. Writing in Kreyol put theatre within reach of everyone in Haiti whatever their schooling. The first Port-au-Prince run was interrupted when the authorities telephoned the author with threats. He started again two weeks later. In 1979 he stopped writing in French.

The National Party's laws after 1948 sorted South Africans by colour and fixed where each group could live, work and travel. A small African elite came through the system anyway and organised against it. In the 1950s the African National Congress, until then moderate and slow, was taken over by a younger group around Nelson Mandela, Oliver Tambo and Walter Sisulu. The defiance campaign of 1952 and 1953 brought mass breaking of the pass laws and mass arrests. By the middle of the decade African, Indian and coloured organisations had come together behind a demand for a democratic South Africa with no racial qualification at all. The alliance was fragile. Zulu crowds had attacked Indians in Durban in 1949, and inside the ANC some leaders resented the influence of white liberals and of communists. A breakaway group formed the Pan Africanist Congress at the end of the decade. A state that had spent ten years dividing people by colour had given them one thing to agree on.