2013 to 2014 · Indigenousspan
Three pottery styles turn out to be one set of neighbours
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Archaeology in the northwest of what is now the Dominican Republic has changed what the pottery means. Jorge Ulloa Hung and the teams working with him at El Flaco and nearby settlements kept finding wares that specialists had assigned to separate peoples lying together in one deposit. Meillacoid, Chicoid and Ostionoid vessels were being made and used side by side within a single community. For most of the twentieth century each style was read as the signature of a distinct group, and the map of the island before 1492 was drawn as a set of ethnic blocks pressing on one another. The pots do not support that map. They point to households that traded, married and lived across whatever boundaries the styles are supposed to mark, in a region thick with such contact in the centuries before the Spanish came. Keegan and Hofman call the resulting picture archipelagic: identity on these islands travelled with people and goods across water, and it settled nowhere for long.
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